This Catalan architect has developed various projects, notably the restoration of several theatres together with Ignasi de Solà-Morales and Xavier Fabré; including the Gran Teatre del Liceu together with Eulàlia Serra, for which they received the Premio Nacional de la Generalitat prize, in the Cultural Heritage category.
Born in 1960 in Salt (Girona, Spain), Lluís Dilmé studied architecture at the ETSAB (Technical School of Architecture of Barcelona.) Before ending his studies, he started collaborating at Ignasi de Solà-Morales' studio in the projects of the Valls theatre and the Torelló theatre, from 1985 to 1988. He then set up a town-planning and design studio with Xavier Fabré, Dilmé & Fabré. Together, they have undertaken a great number of projects in many different kinds of spaces, educational, residential, sanitary, museums and exhibitions, and public spaces: L'Escola d'Ensenyament Integrat de Música I Dansa Oriol Martorell (1995-1997), or various livings in El Prat de Llobregat (2002), Girona (2002), or Figueres (2002). Having worked with Solà-Morales in theatre projects, the three architects assumed the restoration of Barcelona's Opera, the Gran teatre del Liceu, with Eulàlia Serra. In 2000 Solà-Morales, Fabré and Dilmé were awarded the Cultural Heritage National Prize handed by the Catalan Government (Generalitat). They had already been consulted in 1986 before a fire destroyed the theatre in 1994, thus their restoration plan became a reconstruction and enlargement project. They worked on rebuilding the Opera "as it was before, where it was", updated in all the technological aspects. In Dilmé and Fabré's work as designers, we may stand out the specific furniture he developed for the new Liceu theater, pieces of furniture that have been conceived in a modern language, but bearing in mind their setting. The Liceu lamp, reedited by Santa & Cole, the armchairs and the red velvet chairs are part of this set. The experience in restoring theatres of Lluís Dilmé and Xavier Fabré continued with the restoration project of the Teatre Teatre Guastavino in Vilassar de DAlt (Barcelona, 2002); of the Teatre Cal Ninyo in Sant Boi de Llobregat (2002); of the Teatre Principal in Sabadell (2002), built in 1860 and considered an important piece of Catalonia's architectural cultural heritage; of the Teatre Cooperativa in Barberà del Vallès (2002); or the conversion of Can Gibert in the Montserrat monastery into an Arts Center (2003).