Composición XX
Composición XX
Composition XX follows to the letter the geometric abstraction advocated in De Stijl. According to Joop Joosten, Van Doesburg’s stay at Mondrian’s house in Paris in February 1920 would be decisive in his full-fledged conversion to abstraction. Furthermore, as can be appreciated, the grid structure that Mondrian and Huszár had employed at the end of 1918, before Van Doesburg did so, is not a rigid and even system for him as it was for Mondrian, but is flexible and uneven. Nor is Van Doesburg very orthodox in his choice of palette, as the primary colours are toned down considerably in the present painting.
High resolution pigment ink on cotton paper
71 x 92 cm
Same size as original
Next unit for sale No. 1
Open edition. Produced on demand
Certificate of authenticity included
Theo Van Doesburg
Theo van Doesburg, whose real name was Emil Marie Küpper, was one of the key figures in the development of Dutch Neo-Plasticism in both painting and architecture. He was married to the artist, pianist and choreographer Nelly van Doesburg.
Thyssen
The Thyssen-Bornemisza National Museum is a Madrid art gallery exhibiting the works of old and modern masters. It owes its existence to the lease agreement (1988) and the subsequent acquisition by the Spanish Government (1993), of the most valuable core of the private collection built over seven decades by the Thyssen-Bornemisza family.