Iconographically, the Virgin in this painting refers to the Book of Ezekiel, where the prophet says, "I dried up the green tree and made the dry tree flourish," interpreted as an allusion to original sin and Mary as the New Eve. The dry tree represents the Tree of Knowledge, withered by sin and revived by Jesus’ conception. Its braided branches form a crown, a clear prefiguration of Christ’s Passion.
The painting is crafted like a jewel, highlighting materials and textures. Fifteen golden letter "A"s hang from the branches, symbolizing the first letter of the Ave Maria and linked to the mysteries of the rosary, a prayer seeking Mary’s intercession before God.
Museum Neoseries, numbered and certified, increase in price by 10% with each unit sold. Always produced on demand, their value lies in the experience of beauty itself. In this way, they are granted an induced revaluation, creating a market in which price is closely linked to demand. Thus, the value of each piece becomes tied to its social acceptance, guiding its commercial development and preventing hasty trivialization.
- No.1 – private collection, Barcelona
- No.2 – corporate collection, CDMX
- No.3 – corporate collection, New York
- No.4 – private collection, Barcelona
13 cm / 5.12"
Most of our editions are printed on paper and designed to travel safely and efficiently. For this reason—and because trusted framers can be found almost anywhere—we recommend framing locally. These guidelines will help you achieve the best result:
Without glass, whenever possible
Many original works are displayed without glass. To preserve the same aesthetic and presence, we recommend doing the same. The result is more natural, glare-free, and visually striking.
Mounting on rigid backing (PVC)
Ask your framer to mount the artwork onto a rigid backing. PVC is lightweight, stable, and helps prevent warping over time. It’s also essential if you choose to frame without glass.
Conservation and materials
Always use acid-free materials
If you use glass, make sure it’s anti-glare and UV-protective
Our recommended alternative: museum-grade acrylic, lighter and safer
Our art editions are carefully rolled and shipped in custom-made tubes designed to ensure safe transport. We offer three tube sizes—70 cm, 90 cm, and 150 cm in height—all with a 12 cm diameter. Each tube weighs approximately 5 kg. Smaller-format editions are shipped flat in a rigid cardboard folder for added protection.
Every order includes a pair of handling gloves and a Welcome Pack featuring a Certificate of Authenticity, the artist’s biography, the edition number, and a unique registration code.
Delivery timelines:
Unframed artworks: Delivery in 15 to 20 business days
Framed artworks: Delivery in 20 to 25 business days
Shipping rates:
Spain: Free delivery
Europe: €9.95 (standard) / €19.95 (express)
USA & Rest of World: Please contact us for a shipping quote
Iconographically, the Virgin in this painting refers to the Book of Ezekiel, where the prophet says, "I dried up the green tree and made the dry tree flourish," interpreted as an allusion to original sin and Mary as the New Eve. The dry tree represents the Tree of Knowledge, withered by sin and revived by Jesus’ conception. Its braided branches form a crown, a clear prefiguration of Christ’s Passion.
The painting is crafted like a jewel, highlighting materials and textures. Fifteen golden letter "A"s hang from the branches, symbolizing the first letter of the Ave Maria and linked to the mysteries of the rosary, a prayer seeking Mary’s intercession before God.
Museum Neoseries, numbered and certified, increase in price by 10% with each unit sold. Always produced on demand, their value lies in the experience of beauty itself. In this way, they are granted an induced revaluation, creating a market in which price is closely linked to demand. Thus, the value of each piece becomes tied to its social acceptance, guiding its commercial development and preventing hasty trivialization.
- No.1 – private collection, Barcelona
- No.2 – corporate collection, CDMX
- No.3 – corporate collection, New York
- No.4 – private collection, Barcelona
13 cm / 5.12"
Most of our editions are printed on paper and designed to travel safely and efficiently. For this reason—and because trusted framers can be found almost anywhere—we recommend framing locally. These guidelines will help you achieve the best result:
Without glass, whenever possible
Many original works are displayed without glass. To preserve the same aesthetic and presence, we recommend doing the same. The result is more natural, glare-free, and visually striking.
Mounting on rigid backing (PVC)
Ask your framer to mount the artwork onto a rigid backing. PVC is lightweight, stable, and helps prevent warping over time. It’s also essential if you choose to frame without glass.
Conservation and materials
Always use acid-free materials
If you use glass, make sure it’s anti-glare and UV-protective
Our recommended alternative: museum-grade acrylic, lighter and safer
Our art editions are carefully rolled and shipped in custom-made tubes designed to ensure safe transport. We offer three tube sizes—70 cm, 90 cm, and 150 cm in height—all with a 12 cm diameter. Each tube weighs approximately 5 kg. Smaller-format editions are shipped flat in a rigid cardboard folder for added protection.
Every order includes a pair of handling gloves and a Welcome Pack featuring a Certificate of Authenticity, the artist’s biography, the edition number, and a unique registration code.
Delivery timelines:
Unframed artworks: Delivery in 15 to 20 business days
Framed artworks: Delivery in 20 to 25 business days
Shipping rates:
Spain: Free delivery
Europe: €9.95 (standard) / €19.95 (express)
USA & Rest of World: Please contact us for a shipping quote
The Virgin of the Dry Tree
Museo Nacional Thyssen-Bornemisza
The Nymph at the Fountain
Lucas Cranach el Viejo, c.1530-1534
Boy in a Turban holding a Nosegay
Michiel Sweerts, c.1658-1661
Venus and Cupid
Peter Paul Rubens, c.1606-1611
The Dutch Navy in Goeree
Willem van de Velde II, c.1672-1673
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A curatorial filter where every object is a point of view.