Despite the visual difference in the subject matter, Galofré was able to paint the essence of the Big Apple through subtle traces that portray skyscrapers enveloped in blueish and cream tones without losing the essence of her signature style. Galofré’s New York series reflects the artist’s refusal to think about the world in bipolar terms. She sees painting as a meeting point between figuration and abstraction, a cosmos where different pictorial languages intertwine to conform a personal, Mediterranean gaze.