Alfonso Milá

Alfonso Milá trained as an architect at ETSAB, where he studied under influential figures such as Jujol and Ràfols. While still a student, he joined José Antonio Coderch’s studio, where he rekindled his lifelong friendship Federico Correa. As apprentices, they designed the Barceloneta armchair (1953)—the first step in a long-standing partnership that soon took shape with the opening of their own practice.

Together, they shaped a body of work that left a lasting mark on the modern life of Barcelona and Cadaqués—from Casa Villavecchia to the iconic restaurants Flash-Flash and Il Giardinetto, to the redesign of Plaça Reial. Their collaboration became so solid, their names eventually moved as one..

Far from formalism, Correa and Milá sought vibrant spaces shaped by intelligent gestures, craft, and a sense of humor. Their style stood out early on for its integrated built-in furniture, an architectural hallmark that would go on to influence generations.

Milá moved fluidly between interior and product design. He never sought the spotlight—he preferred the domestic scale, often working hand in hand with his younger brother, Miguel Milá, perfecting a lamp at their own pace, like the Diana family. The result was a kind, understated modernity—designed to last and free of pretense.