Saratosa, 2025

Bea Sarrias

2025

High resolution pigment ink on cotton paper

31 x 40 cm — View size in context

Mismo tamaño que la obra original

Next unit for sale No.1

Includes a Certificate of Authenticity

Open edition. Produced on demand

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Bea Sarrias approaches modern architecture as a pictorial field of exploration, where the works of Sert, Barragán, and Rudolph are connected through the latent legacy of Piet Mondrian.


The architecture of Paul Rudolph (Elkton, Kentucky, USA, 1918–1997) is characterized by an intense exploration of form, structure, and light. His work seeks a complex and rigorous spatial organization, in which volumes interconnect, and geometry defines the spatial experience. Rudolph understood architecture as a balance between the material and the spiritual, in which structure had to be expressed with honesty and clarity.


Mondrian’s influence on Rudolph is evident in the pursuit of precise geometric composition and in the importance of the relationship between plane, line, and volume. Although their languages differ greatly, they share interest in order, formal pureness, and the influence of geometry to structure perception. In this context, light and white become central elements. The Modulightor Building (1989–1994) synthesizes this idea. With the use of white and the through the geometry of its façade, railings, and levels, the building seems to be constructed from light itself.

About the Artist

Bea Sarrias (Barcelona, 1978) is greatly influenced by 20th-century American realism. Focused on the representation of architectural spaces and light, her work evokes human presence through objects and atmospheres, portraying buildings by architects such as Antonio Bonet Castellana, Josep Lluís Sert, and Richard Neutra.

Edition Details — Neoseries

Neoseries are faithful, authorized art editions created with cutting-edge technology in collaboration with artists and institutions. They replicate the original color, texture, and format. Each one is produced on demand, individually, with open and certified numbering. Art editions that democratize beauty and make it possible to live with the works that move us.

Framing Suggestions

Most of our editions are printed on paper and designed to travel safely and efficiently. For this reason—and because trusted framers can be found almost anywhere—we recommend framing locally. These guidelines will help you achieve the best result:

Without glass, whenever possible

Many original works are displayed without glass. To preserve the same aesthetic and presence, we recommend doing the same. The result is more natural, glare-free, and visually striking.

Mounting on rigid backing (PVC)

Ask your framer to mount the artwork onto a rigid backing. PVC is lightweight, stable, and helps prevent warping over time. It’s also essential if you choose to frame without glass.

Conservation and materials

Always use acid-free materials

If you use glass, make sure it’s anti-glare and UV-protective

Our recommended alternative: museum-grade acrylic, lighter and safer

Shipping & Packaging

Our art editions are carefully rolled and shipped in custom-made tubes designed to ensure safe transport. We offer three tube sizes—70 cm, 90 cm, and 150 cm in height—all with a 12 cm diameter. Each tube weighs approximately 5 kg. Smaller-format editions are shipped flat in a rigid cardboard folder for added protection.

Every order includes a pair of handling gloves and a Welcome Pack featuring a Certificate of Authenticity, the artist’s biography, the edition number, and a unique registration code.

Delivery timelines:

Unframed artworks: Delivery in 7 to 10 business days

Framed artworks: Delivery in 10 to 15 business days

Shipping rates:

Spain: Free delivery

Europe: €9.95 (standard) / €19.95 (express)

USA & Rest of World: Please contact us for a shipping quote

View size in context

Figura humana de referencia
Obra a escala 40 cm / 15.75"
31 cm / 12.2"

Architecture in color

The architectures of Josep Lluís Sert, Luis Barragán, and Paul Rudolph function as territories of pictorial exploration, resonating with the legacy of Piet Mondrian as a latent visual matrix. Without explicitly citing him, his language runs through the entire exhibition as an invisible thread connecting the three architects. Sarrias’s works reveal a creative process that is an architecture in itself.