1962

Jutland, Denmark

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Category:

Design:

Nathali Schwer

Garden Design:

Ane Hoffmeyer

Exterior Design:

Norm Architects

Carpenter:

Lacoppidan

Photography:

Enok Holsegaard

Clients:

Dulong Jewelry

A Danish sommerhus

The Jutland Peninsula, in Denmark, is the great continental landmass that divides the North Sea from the Baltic Sea. At its northernmost tip, a region known for its coastal landscapes, dunes, and wild light, there is a long tradition of country houses and summer retreats. This project is the renovation of one of them — a classic Danish sommerhus originally built in 1962, with its traditional thatched roof — which interior designer Nathalie Schwer has reinterpreted, imbuing it with timeless comfort and a deep sense of stillness.

Her approach moves through restraint and compositional rigor. The house is organized around open, interconnected spaces that invite withdrawal, where each room seems to follow a slower rhythm of living — to rest to the sound of wind and sea. The color palette draws directly from the local vegetation and climate: sand and earth tones, faded greens, neutral walls, and untreated wood that fold the interior into the exterior horizon. They capture and filter the enveloping Nordic light — a low, grazing natural light characteristic of these latitudes — which gives volumes, soft shadows, and textures their quiet prominence, and fills the atmosphere with warmth, subtlety, and ease. An evolved hygge.

Sísísí Cónicas Planas 1987, Gabriel Ordeig Cole

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The project turns away from cold minimalism and embraces a tactile dimension through organic materials: raw textiles, custom millwork, matte finishes, rattan chairs, natural fiber rugs, handmade ceramics, and a selection of furniture that blends contemporary pieces with icons of vintage Scandinavian design. The result is a space that feels lived-in, serene, and real. Nostalgic in spirit, yet adapted to a modern way of life woven into the surrounding landscape. A simple, feminine, layered house — neither perfectionist nor rigid.

Sísísí Cónicas Planas 1987, Gabriel Ordeig Cole

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In the kitchen, above the dining table, hang two Sísísí Cónica Plana pendants by Gabriel Ordeig (1994). One of the most versatile shade geometries in the catalog, they stand out for their wide, low-profile proportion — offering a more horizontal presence, light and unobtrusive, with a focused, directional light projection onto the surface below.

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