The architectures of Josep Lluís Sert, Luis Barragán and Paul Rudolph function here as territories of pictorial exploration, resonating with the legacy of Piet Mondrian as a latent visual matrix. Without explicitly referencing him, his language runs through the exhibition like an invisible thread connecting the three architects.

The exhibition unfolds through maps that also operate as storyboards of the creative process: a network of sketches, drawings, studies, notebooks and experimental pictorial traces that, over time, evolve into works on canvas. In this way, Bea Sarrias’s pictorial process reveals itself as an architecture in its own right. 

Bea Sarrias (Barcelona, 1978) develops a body of work centred on the representation of architecture and light, where human presence is sensed through objects and silences. Influenced by 20th-century American realism, her practice combines research and observation to portray buildings as living settings filled with memory. In this project, Sarrias acts as a mediator between architecture and painting, reinterpreting three forms of modernity and turning colour into a living element that guides the viewer through an architectural imaginary.