{"id":21960,"date":"2025-07-18T23:06:49","date_gmt":"2025-07-18T21:06:49","guid":{"rendered":"https:\/\/stage.santacole.com\/?page_id=21960"},"modified":"2026-09-10T13:20:27","modified_gmt":"2026-09-10T11:20:27","slug":"stories","status":"publish","type":"page","link":"https:\/\/www.santacole.com\/en\/stories\/","title":{"rendered":"Stories"},"content":{"rendered":"\n
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\n\n \n \n \n All stories <\/span>,\n <\/span>\n\n \n \n \n \n campaigns <\/span>\n ,\n <\/span>\n\n \n \n \n dispatches <\/span>\n ,\n <\/span>\n\n \n \n \n films <\/span>\n ,\n <\/span>\n\n \n \n \n materials <\/span>\n <\/span>\n\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n<\/div>\n\n \n \n
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Miguel Mil\u00e1. A Life in Design<\/a><\/h2>\n \n

at Twentytwentyone<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"2026-09-Twentytwentyone-Miguel-Mila-0489-Pol-Renau-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

A designer who created the things he needed, in a country that had yet to discover design, until those objects outlasted the commissions that gave rise to them.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Lighting, atmosphere, feeling<\/a><\/h2>\n \n

Gabriel Ordeig Cole<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"C.2.1.3–a\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Article published in La Vanguardia on August 18, 1985.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Light Reading<\/a><\/h2>\n \n

A show in chapters<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Light-Reading-Chapter-One-GaleriaS-CNueva-York-Seth-Caplan-021-SISISI-CONICAS-PLANAS-MESITA-GO-x2400.jpg\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Chapter One in New York: Elegant, empathetic, radical, odd. Chapter Two in Copenhagen: Ephemeral, together, public, fun.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Postcards from Koksijde<\/a><\/h2>\n \n

Summer 2026<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Cesta-exterior-Bruselas-Senne-Eefje-2026-0825-x2400.jpg\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

A story by Designcollectors. A house among dunes and sea, shaped over time by the family that lives in it, and the objects they have chosen to keep.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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La Nave<\/a><\/h2>\n \n

Celebrating the Technical while Crafting a Home<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"La-Nave-Adria-Canameras-2026-13548-CIrio-R-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

A chronicle by Roc\u00edo Ley, with photographs by Adri\u00e0 Ca\u00f1ameras.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Inside Bosco Sodi’s “Kugi”<\/a><\/h2>\n \n

A lighting installation by Santa & Cole<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Exposicion-Bosco-Sordi-Madrid-Art-Week-Enric-Badrinas-202620260304-08-La-mina-Mayor-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

As part of Madrid Art Week, Mexican artist Bosco Sodi presented "Kugi", a pop-up exhibition at the former Garaje Lasarte.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Remembering Nina Mas\u00f3<\/a><\/h2>\n \n

A tribute in film<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"BOLxNINA_MASO_BAR_03\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Nina\u2019s vision and ideas are translated into a visual language crafted by illustrator Ciara Quilty-Harper, produced by BOL and directed by Device.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Andr\u00e9 Ricard. Design in Use<\/a><\/h2>\n \n

An exihibiton at Madrid Design Festival<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Group-83-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Andr\u00e9 Ricard revolutionized Spanish design with simple, practical solutions to everyday problems, always at the service of people.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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A Dialogue with Light<\/a><\/h2>\n \n

Antoni Arola at the Karimoku Research Center in Tokyo<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"SantaCole-Karimoku-Research-Center-Tokio-Antoni-Arola-A-Dialogue-with-Light-KRC3381-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

His objects, his creative process, and his thinking, unfolded across three floors.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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3daysofdesign 2025<\/a><\/h2>\n \n

Another year at the Fredericia Showroom<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"01-3DAYS-OF-DESIGN-2025-Paula-Gracia-BELLA-DURMIENTE-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

We traveled to Copenhagen to join "Intersections", an exhibition exploring tradition and innovation, the personal and the collective.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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A Weekend with (Almost) No Outlets<\/a><\/h2>\n \n

Summer 2025<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Lucecitas-campana-verano-2025-Jara-Varela-2024-1649-Alubat-x1700\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

A story by Jara Varela and Marc Morro.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Dream and Memory<\/a><\/h2>\n \n

Euroluce 2025<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Grafica-Bendita-Gloria-2025-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Our stand at Salone del Mobile: re-editions from our origins return to production, side by side with new designs.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Miguel Mil\u00e1 Around the World<\/a><\/h2>\n \n

An itinerant exhibition<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Santa \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

His designs have long travelled the world. Now this exhibition does too, carrying six decades of work from one city to the next.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Galer\u00eda Santa & Cole in Mexico City<\/a><\/h2>\n \n

A closer look<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Mexico-Galeria-Santa-Cole-Apertura-Natalia-Tamarasco-2023-01-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Andrea Coll, our art editor, and Rodrigo Fern\u00e1ndez of D\u00edez Company walk us through the story behind our home in Mexico City.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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More About Our Neoseries<\/a><\/h2>\n \n

All FAQs, answered by our Art Editor<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"mcalathea-20-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Discover what they consist of, their purpose and the meticulous technique used to accurately reproduce the original works.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Miguel Mil\u00e1: Industrial and interior designer, “inventor and bricoleur”<\/a><\/h2>\n \n

A documentary film by Poldo Pom\u00e9s (English subtitles)<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"MM2017_vincon\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

An introduction to the subject and his work in a manner as plain and simple as the protagonist himself.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Five Design Approaches with Renato de Fusco<\/a><\/h2>\n \n

Extracts from an interview with Francesca Rinaldi<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"05-x1700\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

In February 2011, De Fusco concluded a series of five talks on design at the Palazzo delle Arti Napoli. It was a resounding success.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Looking Back Through Design Icons<\/a><\/h2>\n \n

An installation at Feria H\u00e1bitat Valencia 2023<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"_DSC4097_1\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

A retrospective brought to life by every company that manufactures Miguel Mil\u00e1's designs, united for the occasion.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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The Principles<\/a><\/h2>\n <\/div>\n \n
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\n \n \"Throwaway-living_BN\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Note from the president, Javier Nieto Santa, to the 2023 Design Editions Catalog.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Miguel Mil\u00e1: A Life in Design<\/a><\/h2>\n \n

Presenting the book by Apartamento<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Miguel \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

We gathered at Galer\u00eda Santa & Cole to discuss the new book with its author Kiko Gaspar, Miguel Mil\u00e1 and his son Gonzalo, and our president Javier Nieto Santa.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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La Barraca<\/a><\/h2>\n \n

A tribute to Nina at the Real Alc\u00e1zar of Sevilla<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Barraca-Sevilla-David-Zarzoso-Santa-Cole-2023-052-x1700\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Named after Garc\u00eda Lorca's traveling theater, La Barraca moves from place to place, just as Nina did, carrying our whole catalog from its beginnings to present-day.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Strofa chiara, strofa oscura<\/a><\/h2>\n \n

Euroluce 2023<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"20260409130620682_0002\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

A play by Santa & Cole at Salone del Mobile, Milan.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Nina Mas\u00f3<\/a><\/h2>\n \n

1956 \u2013 2023<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"01-Nina-Maso-Nacho-Alegre-x2400-x1700\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

So long, Nina. It has been a privilege to share life with you. You remain in us all.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Getting Closer to Antoni Arola<\/a><\/h2>\n \n

Design Editions<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"banner_principal_antoni_arola_17_marzo\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Antoni Arola, master of light and shadow, has forged a language of his own.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Guess Who?<\/a><\/h2>\n \n

Miguel Mil\u00e1 by Apartamento<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"imagen-portada-definitiva-historias-guess-who-miguel-mila-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Picture an enlightened craftsman whose mission is to create objects that solve fellow humans\u2019 needs.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Outdoor Living<\/a><\/h2>\n \n

Summer 2022<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"santa-cole-jara-varela-casa-costa02-x1700\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Porches, terraces, gardens, a boat at dusk. Luminaires and furniture that settle wherever the day extends outdoors.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Dressing the Light<\/a><\/h2>\n \n

Lampshade ribboning: a process of industrial craftsmanship<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Cintas-Vistiendo-la-luz-Yosigo-29-2022-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Every day, four thousand meters of ribbon are transformed into lampshades, by hand.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Getting Closer to Carmen Galofr\u00e9<\/a><\/h2>\n \n

Art Editions<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"destacada-santacole–0017-Getting-Closer-Carme-Galofre-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Carmen Galofr\u00e9, painter and astrologer, a master in both disciplines, reflects on the human condition.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Getting Closer to S\u00edlvia Mart\u00ednez Palou<\/a><\/h2>\n \n

Art Editions<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Getting-Closer-Marcos-Silvia-Martinez-Colque-2021-DSC7882-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

S\u00edlvia Mart\u00ednez Palau, a paradigm between art and architecture. Through her work, she depicts buildings inspired by the geometry of modern architecture.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Getting Closer to Marcos Isamat<\/a><\/h2>\n \n

Art Editions<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Getting-Closer-Marcos-Isamat-Fabrizio-Colque-2021-DSC8331-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Marcos Isamat advocates for the creative power of graphite in an over-colored world.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Nightfall Conversations<\/a><\/h2>\n \n

Summer 2021<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Basica-Minima-Bateria-ClaudiaMaurino-SantaCole-2021-12-RET-x2400.jpg\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

A summer photographed between courses and long conversations, lit only by lamps that need no outlet.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Art and Music Join Design and Books<\/a><\/h2>\n \n

"We share what we enjoy"<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"santacole-historias–0014-lanzamiento-ediciones-de-arte-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Extending our editorial practice to art reproductions and musical instruments.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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A Gentleman from Barcelona<\/a><\/h2>\n \n

A self-portrait in rooms<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Un-sen–or-Barcelona-Pomes-Jara-Varela-Nanimarquina-SYLVESTRINA-SUBEYBAJA-07-x1700\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Leopoldo Pom\u00e9s, the photographer of sensuality, lived in this apartment for forty years. His home is also a sensuous portrait.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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A Conversation with Antoni Arola<\/a><\/h2>\n <\/div>\n \n
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\n \n \"Antoni \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Queralt Garriga, PhD in Architecture, traces the intuition behind Arola's work.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Celebrating Andr\u00e9 Ricard\u2019s 90th birthday<\/a><\/h2>\n <\/div>\n \n
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\n \n \"-MG-0610-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Andr\u00e9 Ricard sits down with us to look back on a lifetime of design.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Andr\u00e9 Ricard, el dise\u00f1o invisible<\/a><\/h2>\n \n

A documentary film by Poldo Pom\u00e9s (English subtitles)<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"-MG-0861-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

An invisible design, so functional that it is barely noticed, and beautiful for that very reason.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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A Conversation with Nina Mas\u00f3<\/a><\/h2>\n \n

Giardinetto Sessions<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"N-00222-Correa-34×475-Restaurante-Il-Gardinetto-I-Barcelona.jpg\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Santa & Cole's co-founder and editor, Nina shares her impressions on design and light through the company's beginnings.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Porcelain and Light<\/a><\/h2>\n \n

Cirio, Antoni Arola<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Sargadelos-Salva-Lopez-2018-DSF6411-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

The craft behind Cirio's shades, handmade in porcelain at Sargadelos, the renowned Galician ceramics house with more than two centuries of history.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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The Home of Catalonian Design<\/a><\/h2>\n \n

Monocle visits Parc de Belloch<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Belloch-SalvaLopez-2024-326-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Our headquarters are located in a vast estate, far from the noise of the city, where we are building a knowledge park.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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Creators of Casa Bonay<\/a><\/h2>\n \n

A hotel for the city's own people<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Casa-Bonay-Libertine-Enric-Badrinas-2024-DSC0169-Babel-Cirio-RET-x2400.jpg\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Behind the lighting and graphic design of Hotel Casa Bonay. Nina Mas\u00f3 and Clara Quintana speak about the project from the inside.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n

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A Portrait of Alabaster<\/a><\/h2>\n \n

A short film by Iris Humm<\/p>\n <\/a>\n <\/div>\n \n

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\n \n \"Babel-Proceso-Iris-Humm-SantaCole-1258-2016-x2400\" \n \n <\/a>\n <\/div>\n\n <\/div>\n \n

Discover how the artisans of Sarral shape alabaster into Babel. Every piece is one of a kind.<\/p>\n <\/a>\n \n <\/div>\n<\/article>\n <\/div>\n\n\n <\/div>\n\n \n \n<\/div><\/div>\n\n\n\n

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Every object is a point of view.<\/h3>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n<\/section>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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